11:37:23 tichure : hey now folks.  let’s let a few more straggle in

11:38:27 tichure : in the meantime, did you watch the movie for the week?

11:38:49 Taylor : No I didn’t

11:38:55 Taylor : Where do you find it?

11:39:23 tichure : everything is in the Canvas modules each week, Taylor

11:39:57 Taylor : Ok I found it

11:40:04 Taylor : My bad. Sorry professor

11:40:20 tichure : you do need to establish your virtual library card, as Kanopy is 
provided by the school

11:40:29 tichure : its ok.  we have time

11:40:33 Taylor : Ok will do

11:40:53 Logan : I haven't had a chance to, but I have time in between my second and 
third classes today. I plan to watch it then.

11:41:23 Taylor : Also we are only meeting on Mondays right? On the Englit guy page 
that we are supposed to save, it only said Mondays

11:42:40 tichure : for now, yes. if it looks like that people are interested or need be 
Wednesday time,  we can set it up

11:43:04 Taylor : Ok thank you professor

11:43:10 tichure : my pleasure

11:43:28 tichure : okay folks let’s have a general conversation about how this’ll work

11:43:51 tichure : now theoretically, everybody who signed up for this course, with 
things being normal, would’ve been required to be in a classroom today at 1130

11:44:22 tichure : the reality is that we have a new reality in and for many individuals, 
getting here regularly or on time is  is going to be a problem

11:44:42 tichure : that’s why I use the text chat. Our conversation can be helpful for 
those who cannot be here

11:45:02 Taylor : Also how do we pronounce your last name? Is it E-land or Eye-land or 
another way? I just dont want to pronounce your name wrong?

11:45:09 tichure : what we are going to do here is cover two general things

11:45:20 Taylor : Sorry didn’t mean to put the ? At the end.

11:46:28 tichure : technically Taylor the Dutch version is more like Aylond, but the family 
usually says Eyelind

11:46:37 tichure : like the small body of land surrounded by water

11:47:04 tichure : but if people say eland,  I figure they are talking to me anyway

11:47:09 tichure : and I don’t take offense either way

11:47:14 Taylor : Ok thank you

11:47:20 tichure : if you got a funny name, you gotta give people some slack

11:47:26 tichure : anyway,

11:47:33 tichure : our primary focus here is going to be two basic things

11:47:46 tichure : one is understanding material, which we will do through the analysis 
of the movies that you’re supposed to watch each week

11:47:55 tichure : the second is talking about your research paper specifically

11:48:05 tichure : in order to do the first thing, you have to see the movies each week

11:48:27 tichure : one way to facilitate that is to have perhaps one or two or even 
maybe three people volunteer to be the presenters for the movies

11:49:26 tichure : your job would be to set up some of the information, such as the 
production information (when it was made, where it was made, the director, any major 
or minor actors etc.) and of course to start the conversation  by applying some critical 
analysis (feminist criticism, cultural criticism etc.)

11:50:08 tichure : the other option is that we all watch them and then I do my usual 
thing which is going to be to ask you questions as to how we can analyze the work. That 
would mean everybody should be figuring out when the movie was made, the director 
is, any major  actors etc.

11:50:24 tichure : most of which can be found on IMDb and other various resources, 
especially TCM for some of the older movies

11:50:31 tichure : and that’s entirely up to you.

11:51:00 tichure : Since I already know that not everybody watched breathless, we will 
hold that for next time

11:52:06 tichure : but if anybody wants to volunteer to take the lead on the conversation 
for one of the movies in the calendar, let me know. In fact, I would have used scan 
canvas modules (or the calendar in the syllabus  in the first module)) and claim 
something if you are inclined to be a presenter. Like I said, an individual can do it or 
group can

11:52:31 tichure : but understand that regardless as to whether you folks are being 
presenters or I take the lead, this will be a discussion

11:53:50 Corey : Breathless? Is that on Canvas like Nosferatu is? I don't see it on mine, 

only the reading assignments for week 1

11:55:23 Atulya : its on week 1

11:55:34 Atulya : section

11:56:02 tichure : because this is about translation, and you practicing the critical 
theories on these movies because this is not a film appreciation course in which I tell 
you what a movie means

11:56:11 tichure : yes Corey

11:56:25 tichure : thanks Atulya

11:56:42 tichure : so

11:56:47 tichure : take 10 minutes

11:57:11 tichure : and look through the movies by looking at the calendar or going week 
by week through the modules. You may be familiar with something

11:57:36 tichure : and you may not want to present anything at all. It’s up to you. But if 
somebody wants to indeed take the lead on something, let me know and that way 
everyone people want to do the same movie, I could put you together

11:58:00 tichure : and just be aware that I need you to watch breathless for next 
Monday

11:58:22 Taylor : I will do M by Fritz Lang

11:58:44 tichure : interesting choice Taylor. Have you seen it before?

11:58:54 Corey : I'm sorry but on my Canvas page I only have "Night Surf" and the 
"Roots of Gothic Horror" which I read both. Is Breathless under a different heading in 
Week 1?

11:59:20 Taylor : No but it seems interesting to me so I want to learn more about it

12:00:44 Atulya : could I do dial m for murder

12:00:57 Taylor : Go to the modules and look at the weeks and each week will have the 
films for the week

12:01:27 tichure : Yes atulya

12:05:47 Sammy : Can I do Hard day night,

12:05:53 tichure : yes Sammy

12:08:47 tichure : folks, if you want to claim the work or even look for partners for 
review, I’ve created a “in class presentation” discussion module in week one

12:09:05 tichure : that we make a decision later on about doing something, you can 
post it there

12:09:10 tichure : and then we will start discussing breathless next week

12:09:17 tichure : so now let’s talk about the paper

12:09:31 tichure : this week, you need to make the decision as to what you’re going to 
write a research paper on.

12:09:43 tichure : And the first thing you’re going to do to indicate to yourself and to me 
that it was a good choice is to create the annotated works cited

12:10:22 tichure : annotated works cited is a list of works, which not only include the 
primary source (the movie or analyzing) but also at least one biography of the director, 
some direct analysis of the movie, and some contextual material

12:10:41 tichure : contextual material is information from research that explains the 
context of the movie or story.

12:10:44 tichure : For example

12:10:53 tichure : somebody mentioned M by Fritz Lang

12:11:29 tichure : M is a German movie starring Peter Lorre about a suspected  
murderer of children

12:11:52 tichure : contextual information would be statistical data on the prevalence 
and behavior of such individuals

12:12:10 tichure : breathless also deals with crime, and is set in France in the 1950s

12:12:23 tichure : information about France postwar as well is with the nature of the 
crimes presented in the movie are contextual data

12:12:39 tichure : your research paper is going to be a series of critical analyses, each 
one of them translating the work differently

12:13:04 tichure : and the purpose of the annotated work cited is to start gathering all kinds of information to see what you have before you decide which critical perspectives 
apply and which do not

12:13:22 tichure : any questions about the annotated work cited so far

12:13:53 Taylor : Not yet

12:14:19 tichure : thank you Taylor.  has everyone chosen a topic for the research 
paper

12:14:30 Atulya : no

12:14:42 Taylor : Does the topic have to be film related or just a topic in general

12:14:48 tichure : It’s time to do so AR

12:15:02 tichure : it has to be a film or least video related

12:15:09 Taylor : ok

12:15:28 tichure : remember, the purpose of the course is that we are treating cinema 
as literature (which of course it is because generally it is storytelling)

12:15:32 Atulya : wait can we pick the same movie for our reaserach paper

12:15:38 Atulya : or no

12:15:40 tichure : but it has the added notion of the visual and audio content

12:15:44 Logan : Does the research paper have to be on a film we watch in class, or 
any other film we happen to enjoy?

12:16:05 tichure : yes Ravi,  more than one of you can do the same movie for your 
paper. In fact I would encourage that so that you work together

12:16:20 tichure : it is not something that you will watch in class Logan.

12:16:31 tichure : It should be from the list that I gave you or something that you clear 
with me before you begin

12:16:36 tichure : if it’s not on that list

12:16:43 Logan : Thank you.

12:16:56 tichure : do not choose something from the calendar. The purpose of the 
calendar material is for all of us to practice the critical theories, but I do not want 
anybody writing a paper based on class discussions

12:17:08 Taylor : Wait so we can do the research paper with someone or just the 
presentation

12:17:19 tichure : Taylor, let me clarify

12:17:53 tichure : everyone must do a research paper. You may do the same topic/
movie as anybody else for the research paper but each of you is writing your own 
research paper. You would work with someone in order to gather resources and to have 
someone to help you proofread because they would understand the subject matter. But 
each of you will write your own individual research paper

12:18:31 tichure : the presentation is due at the end of the semester, which will be 
posted on campus, is an assignment that you will do on a topic that nobody else does 
because it is a public presentation in terms of the class, unlike the research paper, 
which only I read.

12:18:54 tichure : And then what I just asked you to do about presenting the course 
material during class time, that’s just part of having class discussion rather than having me direct things. That’s why said you can either choose to do something or you can not 
choose to do it.

12:19:04 tichure : But the research paper and the end of class presentation is 
assignment that is graded and is required

12:19:13 tichure : and the annotated work cited concerns the research paper which is 
the majority of your grade

12:19:48 Taylor : Ok. And it cant be a movie from the calendar correct?


12:19:56 tichure : in fact I’ll probably change the reference to the presenting the movie 
during the course of the semester to something that makes it clear that it’s different from 
the in class presentation due at the end of the semester

12:20:14 tichure : Terry, you are correct. your research paper should not be from 
calendar

12:20:29 tichure : if anybody is chosen something for the research paper, please let me 
know

12:20:48 tichure : Taylor,  you are correct. Your research paper should not be from the 
calendar

12:21:05 Atulya : where is the list for the the topics we can pick for the research paper

12:21:11 tichure : by way folks, I use Dragon speak. It doesn’t always say what I want it 
to say. If something comes out as gibberish, let me know

12:21:55 tichure : it is  linked in the assignment for paper one in the modules, as well 
as  in the description of the assignments

12:22:31 Taylor : Ok so just to clarify. We are going to choose a topic and use a film to 
provide our evidence for the topic but it cannot be a movie that we are viewing as a 
class

12:23:02 Sammy : I have my movie topic for my research essay already

12:23:13 tichure : http://www.englit.org/eiland_shared/resource/paperlistmovie.htm

12:23:27 tichure : that is correct  tailor

12:23:32 tichure : Taylor

12:23:39 tichure : Sammy, what did you have in mind

12:23:50 Sammy : The Graduate

12:24:00 tichure : excellent.

12:24:34 Atulya : i was thinking of doing ghost in the machine

12:24:42 tichure : so obviously, you’re going to be looking for ANALYSIS of that movie 
(not just movie reviews, which we will discuss shortly), as well as information about the director, and information about the era and place.

12:25:41 tichure : Well that’s an interesting choice Atulya,  and you also would need 
information about your director, as well as contextual information about robotics and such, but because your work is fantasy, you will have a bit harder time finding historical context, although the battle with technology is something that you can use. We can develop it more as we go along.

12:25:48 Logan : I've narrowed my choices down to two directors, but I haven't made a choice yet

12:25:58 tichure : Well you have time Logan

12:26:19 tichure : but for all of you, the litmus test as to whether or not it is a good idea 
to pick the movie that you did has to do with the annotated work cited.

12:26:32 Taylor : Can I do one flew over the cuckoos nest

12:26:33 tichure : Because if you can’t find enough information to do the annotated 
works cited, it’s likely that you’ve chosen something that will be difficult to research

12:26:46 tichure : sure Taylor

12:26:58 tichure : yours does have historical context, because it’s about both 
journalism and mental institutions in California

12:27:31 tichure : and so you would have the opportunity to discuss from a historical 
perspective the accuracy of the film in depicting mental institutions

12:27:40 tichure : for male patients by way

12:27:50 tichure : and of course information about the director

12:27:54 tichure : and direct analyses of the movie

12:27:58 Atulya : does the goodfellas have good sources and annotation works to find?

12:28:16 tichure : well Atulya, yes because it’s about the Italian Mafia in the United 
States

12:28:27 tichure : as well as the influence of the Mafia in the creation and running of 
Las Vegas

12:28:47 Atulya : then i might do that instead because it will be easier for me

12:28:53 Atulya : or at least easier

12:28:59 Atulya : to find sources

12:29:00 Atulya : for

12:29:23 tichure : Good fellows was also based on a book written by a guy who turned 
states evidence against him off here. He was a higher time and who was arrested and 

decided to work with federal government instead of going to jail

12:30:35 tichure : in fact all of the gangster movies, whether it’s about tying gangs, 
early American Irish gangs, Asian gangs, Latino gangs etc. is good material because 
you have plenty of statistical information provided by law enforcement, as well as 

information from the cultures themselves written by the people who were there. All of 
this can be helpful in creating analysis

12:30:40 Atulya : that's actually interesting . is it required for the reasech apper that we 
watch the whole movie . or just use our preeception based on sources and reviews?

12:31:01 tichure : also, as responses to these movies, you have those groups were 
affected by these presentations because they feel that it narrows the perception of 
culture down to one criminal element.

12:32:05 tichure : for those of you who chosen a topic, get started on that research 
collection

12:32:26 tichure : remember that your annotated work cited is a list with a description of 
each item what it is, whether it is the movie itself, it is some kind of historical 
information, whether it’s a review of the movie etc.

12:32:51 tichure : and for those of you have not chosen a topic, it’s now time to make 
that choice and then to begin that data collection process. It is possible that you will 
have to change your choice because you cannot find enough research information

12:33:52 tichure : and is everybody clear that we are doing breathless next week

12:33:56 Atulya : yup

12:34:20 Taylor : yup

12:34:21 tichure : by the way, that movie was remade in the United States with Patrick 
Swayze

12:34:34 tichure : which brings up the topic

12:34:36 Sammy : yup

12:34:55 tichure : of whether or not another version of the movie is relevant to your 
analysis

12:35:00 tichure : and the answer is yes in this context only

12:35:17 tichure : for example if you want to do an analysis of goddard’s breathless

12:35:41 tichure : one of your critical analyses would be a reader response by the director of the new version of the movie

12:36:08 tichure : in which you explain with the new director did with the old story to make it into the new story, including any changes etc. and EXPLAINING WHY that director did that, which would be in the extras for that remake

12:36:11 tichure : on the other hand

12:36:40 tichure : if you were focusing on the new version of breathless, you make reference to the old movie in the Marxist criticism and which are explaining where the director got the idea for the movie that you’re analyzing, some which of course would come from that director watching the original movie

12:37:05 tichure : but  I don’t want you to be focusing your paper on comparing it to 
other movies.

12:37:17 tichure : That’s more like a film appreciation class

12:37:30 tichure : so if your work is either a remake

12:37:47 tichure : or has been remade, you will find a single opportunity in one of your four critical perspectives to analyze two against each other

12:38:05 tichure : someone mentioned cuckoo’s nest

12:38:29 tichure : one for the cuckoo’s nest was written by Ken Kesey, one of the central characters in what became the psychedelic movement as an offshoot of the beats in San Francisco

12:39:10 tichure : he wrote this book and it made him famous and rich and off to hang out with the Grateful Dead and others and to be a major part of a societal movement.

12:39:34 tichure : Discussing the translation from the book to the movie, which is called adaptation, is discussed in your Marxist analysis of the director’s version of the movie.

12:39:50 tichure : Which brings me to another thing in terms of resources

12:40:10 tichure : if you have the DVD for movie, it comes with extras. Listening to the director discuss the movie as it plays is valuable information and is a secondary source

12:40:27 tichure : that is helpful for a Marxist criticism because the directors explaining what they were trying to do, which is exactly what a Marxist criticism is when you’re focusing on director intent

12:40:30 tichure : so

12:40:33 tichure : look for YouTube videos

12:40:36 tichure : with the director

12:40:53 tichure : discussing not only their specific approach to the movie that you’re 
focusing on, but also discussing their general approach to moviemaking, which will be 
relevant for that particular argument

12:41:06 tichure : this will be a lot harder for early directors like Fritz Lang

12:41:32 tichure : but much easier for any director who is still alive or was at least alive 
through the 1990s and was videotaped on a TV show or by some other means 
discussing the movie directly

12:41:47 tichure : there’s a lot of such material for things like Goodfellows and such

12:41:53 tichure : and I know it’s Goodfellas

12:41:58 tichure : but my Dragon speak doesn’t always say that

12:42:02 tichure : stupid Dragon

12:42:05 tichure : anyway

12:42:11 tichure : everybody clear about your first assignment

12:42:15 tichure : and what you’re going to be doing

12:42:19 Atulya : yes

12:42:27 Logan : Yes, thank you.

12:42:29 Taylor : For the most part  yes**

12:42:53 Atulya : so for this week focus on watching breathless

12:42:54 Atulya : ?

12:42:56 tichure : now every Wednesday evening between 7 and 9 PM, there is a general discussion about the research paper. It is for everybody in all my classes and really we focus on gathering information, building the edited works cited, and applying the critical perspectives.

12:43:01 tichure : Yes AV

12:43:20 tichure : watch that movie so that we can use it as discussion next  time

12:43:27 tichure : everybody good so far?

12:43:33 Taylor : yes

12:44:03 Sammy : yes

12:44:15 Logan : Yes

12:45:59 Taylor : When is the paper due?

12:46:11 tichure : all due dates are posted in canvas Taylor

12:46:42 tichure : so if you look at the assignment in like week three or four something 
like that it will have a due date, likely week six or something along those lines

12:46:57 tichure : but was first due is the annotated works cited

12:47:13 tichure : so in either case, you need to get started now

12:47:26 tichure : because you may get halfway through gathering resources and 
realize you need to change your topic to something more accessible


12:48:13 tichure : So

12:48:28 tichure : make a decision on a movie title. Start gathering resources to see if it 
works.

12:48:37 Taylor : Ok perfect

12:48:44 tichure : and then we will discuss breathless on Monday

12:48:46 Logan : I think I'm going to do my paper on Young Frankenstein

12:48:49 tichure : everybody good?

12:48:58 Taylor : Yes perfect

12:49:13 tichure : Excellent  choice Logan but its  Frankensteeen

12:49:19 Logan : Absolutely. Thank you for clarifying everything.

12:49:34 tichure : my pleasure

12:49:34 Logan : I honestly forgot about that joke, it's been awhile since I've seen it

12:50:05 tichure : Hump? what hump?

12:50:24 tichure : okay folks, get to it and I will see you all next week. If you have any 
questions you can always drop in Wednesday morning or evening and you can always send me an 
email.

12:50:35 Taylor : Thank you so much professor

12:50:39 Taylor : Have a nice week!

12:50:39 tichure : Otherwise I will send you on your way.

12:50:44 tichure : You’re welcome Taylor. U2

12:50:51 Logan : Thank you again, Doctor Eiland. Have a good *week

12:50:57 tichure : U2 Logan. poof