Joined on February 1, 2012 at 6:25 PM


Moderator: 101


Moderator: hey yeestill loading


Moderator: brb


Christina L.: Hello...


Moderator: hey now


Christina L.: =)


Moderator: how are those papers coming along


Moderator: I've posted a couple archived chats,  two of them on yellow wallpaper


Christina L.: Is that to help us with our paper?


Moderator: Of course


Christina L.: Ok


Moderator: is anybody not doing yellow wallpaper


Moderator: in this room right now


Christina L.: no I'm not


Yee 1: I'm not


Moderator: what are you writing on


Yee 1: Sonny's Blues


Christina L.: Sonny's Blues


Moderator: excellent choice


Moderator: great. We discussed some of this last week


Moderator: and so now we need to discuss some more of it.


Moderator: The one thing that I want to impress on you is that a fastest way to an A grade is to mix literary termsてカ show me symbolic irony, symbolic conflicts, ironic conflicts etc.


Moderator: let's talk about the basics first


Moderator: does the narrator have an internal conflict


Yee 1: Yes.  But he doesn't necessarily address or acknowledge it until late in the story


Yee 1: As you mentioned, there's the conflict between what he should do and what he does.


Yee 1: ie his kids, his brother


Moderator: okayてカ do we sense that it is resolved by the end of the story


Moderator: and does he really struggled with that or is this our perception that he ought to be doing something differentてカ remember that we don't want to  inbue on the character what we think is right or wrong. The author has created the character and the character does not have a problem with not being a totally involved teacher, then he has no internal conflict


Yee 1: Well, with the kids, no.  With his brother, yes.  He knows that there is something wrong, but doesn't really understand it.


Yee 1: and no, it doesnt seem to have a resolution, more like a beginning to a resolution


Moderator: if he knows something is wrong with his brother and he doesn't really understand it, that's not necessarily internal conflict. Confusion itself is not internal conflict per se


Moderator: internal conflict would be loves his brother and he hates his brother. He wants to help him but he does not want to help them


Moderator: and we would see that struggle since we have a first-person narrator


Yee 1: Okay.  So we do see that struggle.  It seems to make up a large part of the story.  He's trying to build bridges with his brother, but not succeeding


Moderator: is that a conflict of man versus self or man versus man


Moderator: it could be both


Yee 1: Man vs man, definitely, as the struggle is with his brother.  Man vs. self in that he's conflicted in ways to reach out this his brother, his feelings towards his brother, etc.


Moderator: yee,  you'll have to give me an example from the story in which it shows it is truly internally conflicted on how to work with his brother. If he's reticent to do so because he feels anger toward him or some other kind of resentment, that's not internal conflict.


Yee 1: Okay, let me see if I can find something quote-worthy.


Moderator: Excellentてカ in the meantime Christina, how is yours coming along?


Christina L.: I just started mine... Sorry.


Moderator: well let's talk about some basic elements


Christina L.: ok


Moderator: did either of you find any symbolism


Christina L.: music


Moderator: explained


Yee 1: "and something told me that I should curb my tongue, that sonny was doing his best to talk, that I should listen" (Baldwin 53)


Yee 1: Last time, we discussed Grace and what she symbolized.


Moderator: good choice, yee


Moderator: okay and what does Grace symbolize yee


Christina L.: It symbolizes him getting away from all of his problems


Moderator: and is there a conflict iand an irony also associated with that


Moderator: Christina, the way symbolism works is that you have to be able to describe the sameてカ whether it's a character or an action or in this case music in the storyてカ and the description of that thing is going to be the same descriptors that apply to its meaning


Moderator: so


Moderator: when we talk about grace the child


Moderator: and we want to say it applies symbolically to the state of graceてカ benign forgiveness


Moderator: we can say well


Yee 1: Irony (with Grace).  Grace, seen in a religious way, is the favor of god.  In losing his daughter, Grace, he was losing God's blessing.


Moderator: the main character lost both the child and the ability to forgive


Moderator: yee the,  is that true


Moderator: did he lose God's blessing


Moderator: remember if you have the grace, it is likely that you are  blessing someone else


Yee 1: Yes, he lost his daughter: rough times for a father.  And he also "lost" his brother.


Moderator: remember we talk about God's graceてカ we don't have itてカ we get from him


Moderator: slow down yeee


Moderator: I need to finish this point that we understand what symbolism actually is


Moderator: what we talk about the religious idea of grace, it is something usually bestowed on the lesser by the more powerful. Between the two brothers, whose more powerful


Christina L.: Sonny?


Yee 1: You'd want to say the older brother, the narrator, is more powerful.  But Sonny is the stronger of the two.


Moderator: folks


Moderator: which one has a steady job


Moderator: a good income


Moderator: a noncriminal record


Moderator: respect in the community


Moderator: a steady house and life


Christina L.: oh I see


Moderator: keep in mind that  we are starting with the outset of the story, not what we learn toward the end


Moderator: who's in a position to help the other


Moderator: no matter where you are in the story


Yee 1: Okay.  Then in that case, it's definitely the narrator.


Moderator: and what grace is he supposed to have for his brother


Yee 1: You're going to have to lead me a bit more on that one.


Moderator: what was he supposed to do for his brother


Moderator: who was the God here


Moderator: who was the man here


Yee 1: Watch out for him, protect him from the world.


Moderator: who was the person in the position to help the other


Moderator: You're correct


Moderator: now also consider he was supposed to do something else


Yee 1: Oooh...I didn't see it in that way.  Interesting.


Moderator: and the thing that he's not doing is what keeps him from helping his brother


Moderator: why does he not help his brother


Moderator: why didn't he stay  in touch


Moderator: what is he not able to forgive or be graceful about


Yee 1: His brother turned his back on him and told him that the narrator was dead to him.


Moderator: what else was sunny doing that the brother could not forgive


Christina L.: Sonny never said any thing about his daughters death


Moderator: your on the right track


Moderator: now these are all slights, but what do we need to keep in mind as to why Sonny would not follow through with these thingsてカ why the erratic behavior


Yee 1: Living in Greenwhich Village, playing his music, hanging out various people of differing shadiness, and getting high.


Christina L.: Because he was on drugs


Yee 1: The getting high part?


Moderator: yes


Moderator: yes


Moderator: does that make people do bad things


Moderator: does it make people make mistakes


Moderator: say things they don't mean


Yee 1: Was that the forbidden apple of truth?


Moderator: and who's supposed to be the graceful one


Moderator: well don't make this too  religious


Yee 1: Hahaha


Moderator: instead, we look at the person who's in control


Moderator: in power


Moderator: in a better place


Moderator: the person who should know better


Moderator: the person who is in power in the position to forgive


Moderator: to bestow their own grace on to someone else who's needy


Moderator: and  flawed


Moderator: the same way that a perfect God would forgive and be understanding of a flawed human


Moderator: but the narrator loses his Grace and he also loses his ability to have grace for his brother


Moderator: and that's the symbolism


Moderator: the daughter represents his own ability to forgive and understandてカ the link is the name...grace,  but also the fact that both were lost by the brother, and in some ways he comes to term with both those elements by the end of the story


Moderator: he begins to come to terms with the loss of his daughter


Moderator: and the need for connection back to his brother


Moderator: that of symbolism works


Moderator: that is how symbols  works


Moderator: what does music REPRESENTてカ Christina, you told me what it does


Moderator: that's not what represents


Moderator: it's going to represent another thing


Christina L.: it represents the light and darkness in his life


Moderator: how


Moderator: how does music equal light and darknessてカ give me the descriptors that apply to both


Yee 1: The acceptance of all the bad things in life


Yee 1: Retelling one's pain through the blues?


Moderator: he's playing jazz for one thingてカ no lyrics


Moderator: let me try something and see if this makes better sense to you


Moderator: how is music like heroin


Moderator: give me a word that applies to both of them


Yee 1: erratic?


Christina L.: it gets you high lol


Moderator: very good Christina


Moderator: heroine is not  erratic yee. junkies are


Moderator: you could say that junkies are erratic and musicians are erratic


Moderator: unreliable


Moderator: often manic or depressive


Moderator: often out of step with others


Moderator: a friend of mine who's a musician  tells this joke


Moderator: what's the difference between a drummer and a large pizza


Christina L.: lol I don't know?


Moderator: a large pizza can feed a family of four


Moderator: the idea is that people who do drugs are often perceived as selfish, insulated from others and focused only on their own needsてカ and very often musicians or perceive the same way as are many other artists


Moderator: but if we talk about the music itself, then we might link to drugs


Moderator: like you said Christina,  both gets you high


Moderator: it can also bring you down


Moderator: are theredrug communities? Are there also music communities?


Yee 1: as what blues music would do?


Moderator: Is there a language for each music? Is there a language for each drug?


Moderator: Sometimes yee  yes


Moderator: by the way, the blues are not meant to bring you downてカ they talk about the realities and sadness of life because it's a way to move beyond the realities of what the person is living and to make them happier


Moderator: blues don't make you sadてカ they bring you up out of depression


Moderator: do you see how music can symbolize a drug


Moderator: because they share some of the same descriptors


Moderator: what you say about one could easily apply to the other


Moderator: it doesn't mean it works with every drug you doesn't mean it works with every kind of musicてカ


Moderator: the idea is that if you can find three or four things to describe both the saying and what it's supposed to symbolize, you have a good connection


Yee 1: Side question: Is Sonny playing a bebop version of the blues?


Moderator: yes


Moderator: apparently his idols are Charlie Parker and others like him


Moderator: it's fast


Moderator: and completely improvised


Moderator: off a basic chord progression


Moderator: everybody takes a solo


Moderator: or two


Moderator: symbolism?


Yee 1: More symbols?


Yee 1: or bebop itself?


Yee 1: If we're talking about bebop, I suppose that it can symbolize life (on drugs?) you don't know where you're really going in life, but you have a basic idea.  You might get your moment or two to shine?


Moderator: bebop itself symbolizes what


Moderator: and what is the effect on the user


Moderator: keep goingてカ you're on the right track


Moderator: what is the nature of the music that would also be the nature of the perspective from the heroin user


Moderator: and by the way, don't use the term DRUGS indiscriminately here. This is heroin and for your secondary sources, information on what heroin does would be useful and help you to find specific ideas


Yee 1: You have your highs and lows, just like with the music.  It works as a way to help you embrace the reality of your life.


Christina L.: The nature would be gloomy in perspective to heroin


Moderator: very good yee


Moderator: Christina, you're not really putting things together in a way that makes the description of in this case bebop music reflect the description of heroin


Moderator: heroin is powerful. So is music


Moderator: Both are favored by the rich and the poor.  Both are addictive and pervasive


Moderator: both feel really good, especially at first


Moderator: both can get tiring


Christina L.: oh ok


Moderator: that is how symbolism works


Christina L.: Wow... Thank you I'm really getting thisnow.


Christina L.: * this now


Christina L.: It took me a while lol...


Moderator: I want you to look at the passage in which the author discusses the parentsてカ the adults sitting in a room listening as it gets dark outside


Moderator: or


Moderator: look at the murder of the uncle


Moderator: find symbolism in either one


Moderator: what happened to the uncle


Yee 1: The passage about the adults?  About finding out the truth and losing your childhood innocense?


Moderator: yeee... they are all sitting in a room and they seem to not be noticing that it gets dark


Moderator: yes


Moderator: and what is the truth that they know that they're trying to hide from the kids


Yee 1: Their past, their hardships, what they go through everyday (poverty, racism)


Moderator: but why have them sitting in a room that's going dark


Moderator: does the child see the darkness descending


Yee 1: Yes, he knows about the darkness outside and how it gets closer.


Moderator: what does the darkness represent


Moderator: what does the darkness symbolize


Moderator: the fact that it's outside means that it is something that would've been unknown to him until that point but he's beginning to recognize it and is getting closer to him which means it is something that is going to be real or true to him very soon


Yee 1: death?  Not understood by young kids, but its there, lurking around the corner?


Moderator: very good yee,  but something even more pervasive


Moderator: in that community


Moderator: death at whose hand


Moderator: death by what means


Yee 1: Well, if we link this to the uncle, then death by white society?


Moderator: of course


Moderator: what does the black adult community want to keep from their children as long as possibleてカ what reality do they want their children to not have to know for as long as possible


Moderator: that lurked right outside their door


Moderator: that is as consistent and predictable as nightfall


Yee 1: The reality of discrimination beyond their community, that others out there will do them harm in a variety of ways, simply because they are black.


Moderator: yes


Moderator: what can they do about it


Moderator: what do they do about it


Yee 1: They endure it.


Moderator: they are not talking when they're in the room


Moderator: you are correct


Moderator: they endure


Moderator: Can they stop it?


Moderator: Can they change it?


Moderator: according to what happens in the room


Moderator: can they stop their children from experiencing it?


Yee 1: No, it's inevietable.  They can't stop it.  They can just keep their kids in the dark until the day that their kids have to face it themselves.


Moderator: very good


Moderator: symbolism


Moderator: was the irony of that particular issue


Moderator: what is the irony of that particular issue


Yee 1: The irony?  They're want to protect their children from something that they can't protect them from.  Instead, they keep them ignorant, until their kids find out for themselves, first hand.  They go from one darkness (of not knowing) to the darkness outside (of reality and the truth)


Moderator: and what is the effect when they are slapped in the face with the reality without any preparation


Yee 1: It comes as a shock.  They don't know what to do.  Some try to escape it, like the narrator who joined the army, or Sonny who joined the navy and drugs.


Moderator: what do they often turn to for solace or for respite from this horrible existence


Moderator: you beat me to it


Moderator: do you see the connection


Moderator: symbolism and irony


Moderator: and of course, you know what the conflict is now too


Moderator: one long paragraph


Moderator: on this one specific place in the story


Moderator: in which you can discuss the conflict between the child and the parents, the conflict between the parents and the darkness,


Moderator: the symbolism of what the darkness represents


Moderator: the conflict between these people and the society around them


Moderator: and of course the irony of trying to hide this from their children


Moderator: and the horrible result that occurs when there it was that so hard that they try to escape


Moderator: when there is no escape


Moderator: which of course leads to more  conflicts


Moderator: does that make sense


Yee 1: It's like a gold mine.


Yee 1: Okay, but I'm a little worried about linking secondary sources to this.


Yee 1: I'm sure they'll talk about about what we just discussed, but I don't think I'll find any one critic or author that discusses Sonny's Blues in a similar fashion.


Moderator: secondary sources are going to talk about these things


Moderator: also


Moderator: you will find a secondary sources that discuss racism


Moderator: and its effect on people


Moderator: if you look up heroin use in the inner city, they're going to cite racism and other social ills as one of the factors


Moderator: in these things are in Ebscohost


Yee 1: ...okay so we're not necessarily finding critiques on Sonny's Blues and using them as secondary sources (using their arguments of others to further our own arguments)?


Yee 1: I think I misunderstood the assignment as far as the use of secondary sources.


Moderator: you are supposed to do that


Moderator: you're not misunderstanding anything


Moderator: it's not doing one OR the other


Moderator: it's that you do both


Moderator: your going to find articles on Sonny's blues in which they discussed the straight up conflicts and symbols and ironies


Moderator: you're also going to do a little research outside of the story itself and look up some of this backdrop information


Moderator: that puts the rest of it in context as well


Moderator: so that you can flesh out your assignment


Moderator: primary text


Moderator: secondary text that is direct literary analysis of the primary text


Moderator: and secondary texts that are contextualてカ a talk about things like heroine and racism and jazz in Harlem


Moderator: in the 1950s and early 60s


Yee 1: I've got to tell you that I hated looking up stuff on Greenwich Village, 1950's.  That was probably the most time consuming of all the posts I had to put up in the past week.


Moderator: but it was excellent. It gave us the entire backdrop of what the story is about


Moderator: understanding what that particular era was like


Moderator: that's the point of doing that type of assignmentてカ it helps you to understand the story are reading


Yee 1: Plus, I'm not a fan of beatniks (well, mostly the beatnik stereotype...I did find it interesting to find out why they were the "beat" generation)


Yee 1: Anyway, back on topic


Moderator: indeed


Moderator: and keep in mind, you're going to focus on Harlem more than Greenwich Village


Yee 1: The uncle's murder can be discussed in the same context as the adults and children conflict w/ the darkness.


Yee 1: Question mark.


Moderator: yes


Moderator: what does that event symbolized


Yee 1: The narrator seeing the light, the truth that the adults were holding back from him


Yee 1: and forgivness


Yee 1: His father never forgave the guys that killed his brother


Yee 1: yet, from the mother's perspective, the guys in the car intended to scare the uncle, not kill him.  There might have been hatred, anger, young stupidity in the guys that killed him but they didn't actually plan to kill him.


Yee 1: And even if they did plan to kill him, the father never forgave the guys that did it and lived his life with anger and fear.


Moderator: well, that the fact that they didn't mean to


Moderator: but they did anyway


Moderator: symbolizes what


Moderator: what is the author saying about racism


Yee 1: It's out there and it happens?


Moderator: more than that


Moderator: it has to do with motive


Moderator: were these racists angry or just having fun


Yee 1: They were just having fun.


Yee 1: So even racism w/o anger is deadly?  I think I'm missing the bigger picture.


Moderator: of course


Moderator: when you're in the position of being the person picked on, is there any difference between someonetorturing you out of fun or someone torturing you out of anger or hatred?


Yee 1: Nope, you're being tortured anyway.


Moderator: isn't the effect the same


Moderator: what is the author telling us


Moderator: what is the irony


Moderator: how do many people, even today, perceive their own attitudes towards other peopleてカ do they see themselves as evil or bad because they hold racist ideas


Yee 1: Racism in all forms is still racism?


Yee 1: They still have their stereotypes, but they don't seem themselves as evil or bad because they do still carry those ideas.


Moderator: of course


Moderator: who really knows racismてカ the perpetrators or the victims


Yee 1: The victims.


Moderator: why do you think the author chose to have this to be accidental rather than purposeful ? what is he trying to tell the audience which would also be partly white


Yee 1: Don't think that simply because you didn't act a certain way with anger in your heart that your action was any less bad, evil, etc when you commited it.


Moderator: exactly....the idea is that people can be unintentionally racism


Yee 1: Is there any more of a link between the loss of the father's brother and the loss of the narrator's brother aside from the story showing that the narrator needs to protect his brother?


Moderator: well, it's the notion that essentially the author is using this example to discuss the pervasiveness and the randomness of racism and the effects it can have on the individual


Moderator: and also the nature of life itself


Moderator: that things happen


Moderator: and then you have to deal with them


Moderator: like the loss of grace


Moderator: nothing intentional


Moderator: but a damaging all the same


Yee 1: Very nice.  Just reading that the first time around seem to point to some parallels that I just didn't really look at until now.


Moderator: well and that's the point. Once you start seeing one's saying you begin to know what to look for in others


Moderator: not only in this particular story but also in anything that you read or watch


Yee 1: One last question:  Is the piano just an extension of the symbolism of music?  Or is it much more than that?  I can see that it is something that Sonny uses to escape from his world, at hours at a time, just like he probably does later with heroin (as we discussed regarding drugs and music).


Moderator: give me poarallels


Moderator: parallels


Yee 1: Sonny loses himself for long periods of time, shutting out the world pretty much, when he's playing Isabel's family's piano


Moderator: Just like


Moderator: this really supports the notion that the music is like heroin


Moderator: it's just the story material that you would use as the primary source


Moderator: that makes the symbolism correct


Yee 1: Okay.  I've been wondering about that piano since I first read the story.


Yee 1: Alright, I guess that answers the majority of my Sonny's Blues questions for the night.


Moderator: now it makes sense


Moderator: good lord, look at the time


Moderator: finish up your papers.


Yee 1: Is next week's chat session going to be focused on the final exam?


Moderator: Don't forget to take the test.


Yee 1: Yeah, it's not going to be a fun weekend.


Moderator: no, it'll be too wrapped things up


Moderator: to get a copy of the test story


Moderator: did you get a copy of the test story


Christina L.: no


Moderator: check your e-mail now. I sent it last week


Moderator: it should be attached


Christina L.: ok


Moderator: if you do not have Microsoft Word, I can send it another way. I have a Mac


Yee 1: Whaaaat?


Moderator: like if you need pages for example


Moderator: instead of word


Yee 1: Nevermind, I see the email.  I guess I missed it earlier.


Moderator: whew


Yee 1: But it had to be a docx file, didn't it.


Yee 1: Some of us are using stone age version of MS office


Moderator: no


Moderator: I don't send doc X. I don't think


Moderator: that was pretty old


Moderator: so I think it's just a plain doc like 1997


Yee 1: It's listed as docx, but I can still open/see it anyway (at least from this comp, laptop would have to convert it)


Moderator: actually it is


Moderator: do you need it as a regular doc


Moderator: or can you open it


Moderator: as you do need to print it out to take it with you


Christina L.: we can use it for the test


Yee 1: How do we quote this one?


Moderator: Christina, you must use it for the test


Moderator: create your own author and title yee


Moderator: claim you wrote it


Moderator: hahahah


Moderator: or even just do  (author)


Christina L.: ok


Yee 1: Okay.


Yee 1: can we write on our copy?


Yee 1: prior to the exam?


Moderator: The same way you would in your book


Moderator: one or two word notations in the margins


Moderator: underline and highlight anything you want


Yee 1: okay, yeah.  I wanted to highlight some lines.


Yee 1: Alright, then I'll start printing it out and giving it a read through.


Moderator: excellent


Moderator: symbols and, irony and conflict


Moderator: just like we did here


Yee 1: Thanks for the help with Sonny's Blues.  It makes me wonder why no one else wants to participate in this chat sessions.  

Yee 1: Thanks again, Professor.

]Moderator: you're welcome


Christina L.: Ok good night professor and thank you.


Moderator: have a good week Christina


Moderator: you're welcome


Moderator: poof